Marshall Crenshaw with special guest Erik Vincent Huey

PURCHASE TICKETS #block-8e845af8235e2086ceac {--sqs-block-content-flex: 0; } #block-8e845af8235e2086ceac { --opacity: 100%; --translate-x: 0px; --translate-y: 0px; --rotation: 0deg; --scale-x: 100%; --scale-y: 100%; --skew-x: 0deg; --skew-y: 0deg; --origin-x: 50%; --origin-y: 50%; opacity: var(--opacity, 1); transform: translateX(var(--translate-x)) translateY(var(--translate-y)) rotate(var(--rotation)) scale(var(--scale-x), var(--scale-y)) skewX(var(--skew-x)) skewY(var(--skew-y)); transform-origin: var(--origin-x) var(--origin-y); } Doors @ 7:00pmShow @ 8:00pmAll AgesFull BarFree On-Site ParkingBorn in 1953 in Detroit, Michigan, Marshall Crenshaw learned to tune a guitar correctly at age ten and has been trying ever since. His first big break came in 1978 playing John Lennon in “Beatlemania”, first as an understudy in New York, then in the West Coast company, followed by a national touring company. Removing himself from that situation in Feb. 1980, Marshall settled in New York City. Enthralled by the hyper - diverse musical culture of the City, and the local Rock scene in particular, Marshall formed a Rock and Roll band with brother Robert on drums and Chris Donato on bass. After crossing paths with the great and legendary Alan Betrock, Marshall recorded his debut single “Something’s Gonna Happen” for Betrock’s Shake Records label; at nearly the same time, legendary Rockabilly singer Robert Gordon’s recording of Marshall’s “Someday Someway” was released as a single on the RCA label. These two records simultaneously broke big on New York’s WNEW-FM, causing Marshall and his trio’s local popularity to explode. And so began a career that’s spanned four decades, 13 albums, Grammy and Golden Globe nominations, film and TV appearances (Buddy Holly in “La Bamba”) and thousands of liveperformances. Marshall Crenshaw’s musical output has maintained a consistent fidelity to the qualities of artfulness, craftsmanship and passion, and his efforts have been rewarded with the…

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