On Saturday, December 5th, 2026, the Community Center for the Performing Arts proudly welcomes Buck Meek to the WOW Hall. A gleaner of the forgotten, Buck Meek tips over the familiar and turns the unknown into a companion. On The Mirror, the artist’s fourth solo record and second album released by 4AD, there’s a tender power, countered by immutable vulnerability. With an uncanny curiosity, Meek conjures twin worlds to reveal the uniqueness in the mundane. Inviting in reflection as collaborator and demon as friend, The Mirror doesn’t seek to know but to ask, looking to the shape of a question rather than the illusion of its answer. “The more I get to know you, the less I know of love / Is it science? Is it art? / Can I learn to give away my heart?” Meek grew up in Wimberley, Texas. The grandson of a Shakespearean scholar grandmother and Faulkner scholar grandfather; the son of a child psychologist mother and glass sculptor father; and teenage protege to an old guard of mystic Texas songwriters and musicians, outlaw poets, acid hillbilly jazzers, and gutbucket guitarists. Meek’s first gig was at thirteen, playing rhythm for the Memphis bluesman Brandon Gist, kicking Gist’s old amp when it would short out on stage. The artist went on to cut his teeth playing Manouche, Romanian waltzes, ragtime, western swing, rock and roll, and his own songs in bars, icehouses, square dances, pie socials, cowgirl kabuki theaters, fire dances, and acrobat squats in high desert mission churches. He moved to Boston to study jazz, and quickly found community in other young “jazz musicians” who really just wanted to write songs and play rock and roll at house shows. Later, he moved to New York where he met Adrianne Lenker. The two lived in a van while singing their songs across the country before forming Big Thief. Peeking into the corners of The Mirror’s Wunderkammer, angels fly above the bed, and demons learn to read. The lens shape-shifts –– out of curiosity and out of yearn. For…
